Hagerstown Organ Company, Inc. (2003)

St. John's Episcopal Church

Hagerstown, MD, US

  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
  • Notes: 1-6 from Ped. 8' Octave
  • Notes: ext. 16' Gemshorn
  • Notes: ext. 4' Kop. Fl.
  • Notes: ext. 16' Kon. Fag.
  • 16' Swell to Great
  • 8' Swell to Great
  • 4' Swell to Great
  • 16' Positiv to Great
  • 8' Positiv to Great
  • 8' Nave to Great
Great (II)πŸ›ˆ
16'Gemshorn61
8'PrincipalπŸ›ˆ55
8'Bourdon61
8'GemshornπŸ›ˆ12
4'Octave61
4'Koppel FlΓΆte61
2 2⁄3'Quinte61
2'Block FlΓΆteπŸ›ˆ12
1 3⁄5'Terz61
III-IVFourniture227
IIIZimbel183
16'Kontra Fagott61
8'Trompete61
8'FagottπŸ›ˆ12
Tremulant
8'Trompette en Chamade61
Chimes
Swell to Great 16
Swell to Great
Swell to Great 4
Positiv to Great 16
Positiv to Great
Nave on Great
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
  • Notes: 1-12 digital; 13-61 from 8' Fl. Couv.
  • Notes: ext. 8' Princ.
  • Notes: ext. 4' Fl. Harm.
  • Notes: ext. 16' Basson
  • Notes: ext. Pos. 16' Cromorne
  • 16' Swell to Swell
  • Swell Unison Off
  • 4' Swell to Swell
  • 8' Nave to Swell
Swell (III - Expressive)πŸ›ˆ
16'BourdonπŸ›ˆ
8'Principal61
8'FlΓ»te Couverte61
8'Gambe61
8'Gambe Celeste [FF#]55
4'PrestantπŸ›ˆ12
4'FlΓ»te Harmonique61
2 2⁄3'Nazard61
2'Doublette61
2'PiccoloπŸ›ˆ12
IIIPlein Jeu183
16'Basson61
8'Trompette61
8'HautboisπŸ›ˆ12
8'CromorneπŸ›ˆ12 POS
4'Clairon61
Tremulant
Swell 16
Unison Off
Swell 4
Nave on Swell
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
  • Notes: electronic
  • 16' Positiv to Positiv
  • Positiv Unison Off
  • 16' Swell to Positiv
  • 8' Swell to Positiv
  • 4' Swell to Positiv
  • 8' Nave to Positiv
Positiv (I)πŸ›ˆ
8'PrincipalDIG
8'Pommer61
[8]Dolce Celeste IIπŸ›ˆDIG
4'Klein Principal61
4'Nachthorn61
2'Octave61
1 1⁄3'Larigot61
1'SifflΓΆte61
IISesquialtera [TC]98
IIIZimbel183
16'Cromorne61
8'Clarinette61
Tremulant
8'Trompete GR
8'Trompette en Chamade GR
Positiv 16
Unison Off
Swell to Positiv 16
Swell to Positiv
Swell to Positiv 4
Nave on Positiv
  • Position: Pipes Exposed on the Rear Wall
  • Stop Action: Electric
  • Notes: 1-12 from 8' Bourdon; 13-61 from 4' Octave
  • Notes: ext. 8' Bourdon
  • Notes: ext. 4' Octave
NaveπŸ›ˆ
8'PrincipalπŸ›ˆ
8'Bourdon61
4'Octave61
4'GedecktπŸ›ˆ12
2'Super OctaveπŸ›ˆ12
III-IVMixture183
  • Position: Pipes Exposed on the Rear Wall
  • Stop Action: Electric
  • Notes: ext. Nave 8' Bourdon
Nave PedalπŸ›ˆ
16'BourdonπŸ›ˆ12
8'Gedeckt NV
  • Position: In Side Chambers at the Front of the Room. Facade Pipes or Case Front Visible
  • Stop Action: Electric
  • Notes: electronic
  • Notes: electronic
  • Notes: electronic
  • Notes: ext. 2 2/3' Quinte
  • Notes: ext. 8' Octave
  • Notes: ext. 16' Subbass
  • Notes: electronic
  • Notes: ext. Gr. 8' Trompete
  • 8' Swell to Pedal
  • 4' Swell to Pedal
  • 8' Great to Pedal
  • 8' Positiv to Pedal
  • 8' Nave to Pedal
PedalπŸ›ˆ
32'UntersatzπŸ›ˆDIG
16'PrincipalπŸ›ˆDIG
16'Subbass32
16'Gemshorn GR
16'GedecktπŸ›ˆDIG
8'Octave32
8'OffenflΓΆte32
8'Gemshorn GR
5 1⁄3'QuinteπŸ›ˆ12 GR
4'Choral BassπŸ›ˆ12
4'FlΓΆtenπŸ›ˆ24
2'Nachthorn POS
IVMixture128
32'Kontra PosauneπŸ›ˆDIG
16'PosauneπŸ›ˆ12
16'Basson SW
8'Trompete GR
4'Fagott GR
Swell to Pedal
Swell to Pedal 4
Great to Pedal
Positiv to Pedal
Nave to Pedal