Edmonds, Washington
Holy Rosary R.C. (new)
Geo. Kilgen & Son, 1887
Bond Pipe Organs, Inc., 1981 - Refurbishing, Installation, and Changes
GREAT
Gr. 8 ft. Open Diapason 58
Gr. 8 ft. Melodia 58
Gr. 8 ft. Viol d'Gamba 58
Gr. 4 ft. Principal 58
Gr. 4 ft. Flute Harmonic 58
Gr. 3 ft. Twelfth 58
Gr. 2 ft. Fifteenth 58
Gr. 2 Rks Mixture -- Preparation by Bond.
Gr. 8 ft. Trumpet 58
SWELL (Expressive)
Sw. 16 ft. Bourdon (tc) 46
Sw. 8 ft. Open Diapason 58
Sw. 8 ft. Stopped Diapason 58
Sw. 8 ft. Dulce 58
Sw. 4 ft. Violina 58
Sw. 4 ft. Flauto Traverso 58
Sw. 2 ft. Flautino 58 Removed from the III Dulce Cornet.
Sw. 3 Rks Dulce Cornet 116 Originally drew the 2' as well.
Sw. 8 ft. Oboe 58
Sw. Vox Tremolo
CHOIR
Ch. 8 ft. Geigin [sic] Principal 58
Ch. 8 ft. Dulciana 58
Ch. 4 ft. Flute d'Amour 58
Ch. 2 ft. Piccolo 58
Ch. 8 ft. Clarionet 58 Originally tenor C. Bottom octave
added between 1991 and 1999.
PEDAL
Ped. 16 ft. Grand Open Diapason 27
Ped. 16 ft. Bourdon 27
Ped. 8 ft. Violoncello 27
COUPLERS (Drawknob)
Coupler Sw. to Ped. [8]
Coupler Gr. to Ped. [8]
Coupler Ch. to Ped. [8]
Coupler Sw. to Gr. [8]
Coupler Ch. to Gr. [8]
Coupler Sw. to Ch. [8]
FINGER PISTONS (Mechanical)
Swell to Pedal On / Off
Swell to Great On / Off
FOOT LEVERS (Unlabeled; l - r)
Gr. Piano.............8' Mel., 4' F.H.
Gr. Forte...............8,8,8,4,4,3,2.
Gr. to Ped Reversible
PEDAL MOVEMENTS
Swell Expression (bal.)
MISC. CONTROLS
Bellows Signal (drawknob)
ACTION: Mechanical key & stop
VOICES: 25
STOPS: 25
RANKS: 26
PIPES: 1,379
NOTES
The only tonal change made was to make the 2' component of the Swell 3
Rks Dulce Cornet available as an independent register. All three ranks
were on individual sliders. The original Sw. 8 ft. Bassoon drawknob was
used to register the 2' Flautino, and the Oboe was made playable from a
single drawknob.
The Gr. 2 Rks Mixture is a console preparation only. If ever installed,
it will have to be added on a jump slide.
The bass of the Ch. 8 ft. Clarionet was added after the installation by
Bond by Steven Cook of Edmonds. The toeboard, slider, and chest table
were all drilled-out, and wind is conveyed by foil/paper tubing to a
contiguous row of six diatonic notes at each end of the windchest. The
wooden reed blocks "plug-in" to the note "cell." The bottom of the
resonator where it exits the block is of spotted metal, but the actual
resonator is square and of open wood. The shallots look homemade and are
crudely soldered. The addition is not at all in the style of 19th cent.
American trackers, and the timbre blend between original and new is poor.
[Received on line from James R. Stettner May 31, 2009.]