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| Swell (III - Expressive)🛈 | ||
| 16' | Bourdon | |
| 8' | Diapason | |
| 8' | Stopped Diapason | |
| 8' | Salicional | |
| 8' | Voix Celeste | |
| 8' | Dulciana | |
| 4' | Octave | |
| 4' | Flauto Traverso | |
| 2' | Flautino | |
| III | Dolce Cornet | |
| 16' | Fagot | |
| 8' | Cornopean | |
| 8' | Oboe | |
| 8' | Vox Humana🛈 | |
| Tremolo | ||
| Swell On 8 | ||
| Swell 4 |
| Great (II - Expressive)🛈 | ||
| 16' | Quintaton | |
| 8' | Diapason | |
| 8' | Doppel Flute | |
| 8' | Viola da Gamba | |
| 4' | Octave | |
| 4' | Harmonic Flute | |
| 2 2⁄3' | Twelfth | |
| 2' | Fifteenth | |
| III | Mixture | |
| 8' | Trumpet | |
| 4' | Clarion | |
| Great 16 | ||
| Great On 8 | ||
| Great 4 | ||
| Swell 16 | ||
| Swell 8 | ||
| Swell 4 | ||
| Choir 16 | ||
| Choir 8 | ||
| Choir 4 |
| Choir (I - Expressive)🛈 | ||
| 8' | Gedeckt | |
| 8' | Viola | |
| 8' | Viola Celeste | |
| 4' | Geigen Octave | |
| 2' | Super Octave | |
| 1 1⁄3' | Larigot | |
| 8' | Bombarde | |
| 8' | Clarinet | |
| Tremolo | ||
| Choir 16 | ||
| Choir On 8 | ||
| Choir 4 | ||
| Swell 16 | ||
| Swell 8 | ||
| Swell 4 |
| Pedal🛈 | ||
| 16' | Open Diapason | |
| 16' | Contra Bass | |
| 16' | Gedeckt | |
| 16' | Bourdon | |
| 8' | Diapason | |
| 8' | Flute | |
| 8' | Cello | |
| 4' | Choral Bass | |
| 16' | Bombarde | |
| 16' | Fagot | |
| 8' | Trumpet | |
| Great 8 | ||
| Great 4 | ||
| Swell 8 | ||
| Swell 4 | ||
| Choir 8 | ||
| Choir 4 |
FINGER PISTONS: General 1-10, Swell 1-6, Sw Ped (rev), Sw Gt (rev), Sw Ch (rev), Great 1-6, Gt Ped (rev), Choir 1 - 6, Ch Ped (rev), Pedal 1-4, Tutti (rev), Set, Gen Can; TOE STUDS: General 11-14, Pedal 1-6, Great to Ped Rev (rev), Swell to Great Rev (rev), Sforz. (rev), Unlabeled (non-orig.); PEDAL MOVEMENTS (labeled; l-r): Choir and Great (bal.), Swell (bal.), Crescendo (bal.)
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Transplanted note from a related OHS Database entry. Benjamin Smith on January 20th, 2025: The instrument is extant and used, though a few stops need some care.
This entry represents the 'tonal restoration' of the Great division. Identified through online information from Benjamin Smith (January 21, 2025).
The original Hook & Hastings was built for Trinity Episcopal in San Francisco. It was moved to Trinity Episcopal in San Jose by an unknown person or firm in 1924 when Trinity in San Francisco got a new Skinner organ.
Related Instrument Entries: Hook & Hastings (Opus 1772, 1897) , Unknown Builder (ca. 1924) , Lawrence Ingold (1976)
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