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| Great (I)🛈 | ||
| 16' | Bourdon | 58 |
| 8' | Principal | 58 |
| 8' | Suavial [tc] | 46 |
| 8' | Salicional | 58 |
| 8' | Rohrflöte | 58 |
| 4' | Octave | 58 |
| 3' | Quint | 58 |
| 2' | Superoctave | 58 |
| 1⅗' | Terz | 58 |
| IV | Mixtur | 232 |
| 8' | Trompette | 58 |
| II / I |
| Swell (II - Expressive)🛈 | ||
| 8' | Viol da Gamba | 58 |
| 8' | Celeʃte | 46 |
| 8' | Bourdon | 58 |
| 4' | Flute harm. | 58 |
| 2' | Octavin | 58 |
| III | Cornet [TG] | 117 |
| 8' | Cromorne | 58 |
| Tremulant |
| Pedal🛈 | ||
| 16' | Subbaʃs | 32 |
| 8' | Principal | 32 |
| 8' | Bourdon🛈 | 12 |
| 4' | Octave🛈 | 12 |
| 16' | Poʃaune | 32 |
| 8' | Trompete🛈 | 12 |
| II / P | ||
| I / P |
PEDAL MOVEMENTS: Swell Expression (balanced). Wind system with one wedge shaped bellows. Mechanical stop action. 58-note keyboards with boxwood naturals and ebony sharps. 32-note pedalboard, concave, not radiating. Temperament: Kellner (originally) in Richmond: Mark Brombaugh Mild
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Updated by Joel S. Kumro, who has heard or played the organ.
Updated through online information from Joel S. Kumro. Updated organ information. The three pedal ranks are extended to six stops. This is an exceptionally beautiful organ, and I'm proud to be the new organist.
Updated through online information from Francis Koerber. -- This is a wonderful instrument. Presently I am the Choirmaster & Organist for this church. I am very grateful to be able to use this instrument in our liturgies. Bravo, Martin Pasi.
Updated through online information from T. Daniel Hancock. -- The 1996 manual reeds were French-inspired, but were changed to a German style by Pasi as a part of the reinstallation process in Richmond. The original temperament was Kellner's "Bach" temperament, but the tuning was modified to "Mark Brombaugh Mild" coincident with the relocation. At the same time, the rear case was modified for a free-standing installation in its new home.
Updated through online information from James R. Stettner.
Altered and relocated existing organ. Identified by William T Van Pelt, based on personal knowledge of the organ.
Related Instrument Entries: Martin F. Pasi (Opus 5, 1996)
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