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| GREAT🛈 | ||
| 16' | Gemshorn🛈 | |
| 8' | Diapason🛈 | |
| 8' | Bourdon🛈 | |
| 8' | Harmonic Flute🛈 | |
| 8' | Gemshorn🛈 | |
| 4' | Principal🛈 | |
| 2⅔' | Quint🛈 | |
| 2' | Super Octave🛈 | |
| 1⅓' | Mixture IV🛈 | |
| 8' | Festival Trompette Harmonique🛈 | |
| Chimes🛈 | ||
| Tremulant |
| SWELL🛈 | ||
| 8' | Stopped Diapason🛈 | |
| 8' | Viole de Gambe🛈 | |
| 8' | Viole Celeste🛈 | |
| 8' | Flute Celeste II🛈 | |
| 4' | Prestant🛈 | |
| 4' | Rohr Flute🛈 | |
| 2' | Plein Jeu III🛈 | |
| 16' | Fagott🛈 | |
| 8' | Trompette🛈 | |
| 8' | Oboe🛈 | |
| 4' | Petit Clairon🛈 | |
| Tremulant |
| CHOIR🛈 | ||
| 8' | Cor de Nuit🛈 | |
| 8' | Dulciana🛈 | |
| 8' | Unda Maris🛈 | |
| 4' | Koppel Flute🛈 | |
| 2⅔' | Nazard🛈 | |
| 2' | Block Flute🛈 | |
| 1⅗' | Tierce🛈 | |
| 1⁄4' | Cymbale III🛈 | |
| 8' | Clarinet🛈 | |
| 8' | Festival Trompette Harmonique🛈 | |
| Tremulant | ||
| Zimbelstern🛈 |
| PEDAL🛈 | ||
| 32' | Contra Bourdon🛈 | |
| 16' | Contra Basse🛈 | |
| 16' | Gemshorn🛈 | |
| 16' | Bourdon🛈 | |
| 8' | Principal🛈 | |
| 8' | Gemshorn🛈 | |
| 8' | Flute🛈 | |
| 4' | Super Octave🛈 | |
| 2' | Mixture III🛈 | |
| 32' | Contra Fagott🛈 | |
| 16' | Trombone🛈 | |
| 16' | Contra Fagott🛈 | |
| 8' | Trumpet🛈 | |
| 8' | Fagott🛈 | |
| 4' | Petit Clairon🛈 | |
| 8' | Festival Trompette Harmonique🛈 |
| COUPLERS🛈 | ||
| 8' | Swell to Pedal | |
| 8' | Great to Pedal | |
| 8' | Choir to Pedal | |
| 4' | Swell to Pedal | |
| 4' | Choir to Pedal | |
| 16' | Swell to Swell | |
| 4' | Swell to Swell | |
| 16' | Swell to Great | |
| 8' | Swell to Great | |
| 4' | Swell to Great | |
| 16' | Choir to Great | |
| 8' | Choir to Great | |
| 4' | Choir to Great | |
| 16' | Choir to Choir | |
| 4' | Choir to Choir | |
| 16' | Swell to Choir | |
| 8' | Swell to Choir | |
| 4' | Swell to Choir |
Originally Written/Published: Spring 1981
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When the organ was moved from Hanover College following the destruction (by tornado) of the hall it was located in, it was supposed to be "restored and augmented" without tonal changes to the original pipework. However, it couldn't really be called a restoration as much of the original chestwork was converted to e-p unit action so several ranks could be unified, and tonal changes (voicing and regulation) were made to the original pipework. Many of the pipe ranks added were of dubious origin and some never worked well with the overall tonal scheme, especially the Choir Cymbale III. The "party horn" was never tonally successful either, though it did work well in the display.
Some pipework incorporated in new Reuter organ, 2006.
Identified through information adapted from E. M. Skinner/Aeolian-Skinner Opus List, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn:
Relocation with some tonal alterations of Aeolian-Skinner Opus 1067 (1945).
Related Instrument Entries: Aeolian-Skinner Organ Co. (Opus 1067, 1945) , Reuter Organ Co. (Opus 2227, 2006) , Lauck Pipe Organ Co. (1992)
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