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| Great🛈 | ||
| 16' | Open Wood | 44 |
| 16' | Bourdon | 32 |
| 16' | Diapason | 61 |
| 8' | First Diapason | 61 |
| 8' | Second Diapason | 61 |
| 8' | Third Diapason | 73 |
| 8' | Fourth Diapason | 61 |
| 8' | Major Diapason | 73 |
| 8' | Metal Bourdon | 73 |
| 8' | Principal Flute | 61 |
| 8' | Gamba | 73 |
| 8' | Gamba Celeste | 73 |
| 8' | Gemshorn | 61 |
| 8' | Dulciana | 73 |
| 8' | Unda Maris TC | 61 |
| 5 1⁄3' | Quinte | 61 |
| 4' | Octave | 61 |
| 4' | Harmonic Flute | 61 |
| 2 2⁄3' | Twelfth | 61 |
| 2' | Fifteenth | 61 |
| III | Cymbal | 183 |
| III-V | Fourniture | 285 |
| IV | Full Mixture | 244 |
| 8' | Cornopean | 73 |
| Swell🛈 | ||
| 16' | Gamba | 61 |
| 8' | Viola | 73 |
| 8' | Stopped Diapason | 73 |
| 8' | Gamba | 73 |
| 8' | Gamba Celeste | 73 |
| 8' | Salicional | 73 |
| 8' | Vox Celeste | 73 |
| 8' | Viole D'Orchestre | 73 |
| 8' | Viole Celeste | 73 |
| 8' | Dulciana | 73 |
| 8' | Unda Maris | 73 |
| 8' | Viola Pomposa | 73 |
| 8' | Viola Pomposa Celeste TC | 61 |
| 8' | Flauto Dolce | 73 |
| 8' | Flute Dolce Celeste TC | 61 |
| II | Dulcet | 122 |
| 4' | Octave | 61 |
| 4' | Flute Harmonique | 73 |
| 4' | Violina | 73 |
| 2 2⁄3' | Nazard | 61 |
| 2' | Fifteenth | 73 |
| 1 3⁄5' | Tierce | 61 |
| 1 1⁄7' | Septieme | 61 |
| VI | Plein Jeu | 366 |
| 8' | Oboe | 73 |
| Choir🛈 | ||
| 16' | Open Wood | 32 |
| 8' | Diapason | 61 |
| 8' | Tibia | 61 |
| 8' | Concert Flute | 61 |
| 4' | Octave | 61 |
| 4' | Gemshorn | 61 |
| 2' | Piccolo | 61 |
| 16' | Tuba | 61 |
| 8' | Free Reed English Horn | 61 |
| 8' | English Horn | 61 |
| Chimes | 20 | |
| Harp | 61 |
| Solo🛈 | ||
| 16' | Gemshorn | 51 |
| 8' | Flauto Mirabilis | 61 |
| 8' | Gamba | 61 |
| 8' | Gamba Celeste | 61 |
| 8' | Erzahler | 61 |
| 8' | Kleiner Erzahler | 61 |
| 8' | Kleiner Erzahler Celeste | 49 |
| 5 1⁄3' | Twelfth | 32 |
| 4' | Orchestral Flute | 61 |
| 4' | Fifteenth | 32 |
| IV | Cornet | 244 |
| IV | Mixture | 128 |
| 32' | Fagotto | 68 |
| 16' | Trombone | 44 |
| 16' | Bassoon | 61 |
| 8' | Tromba | 61 |
| 8' | French Horn | 61 |
| 8' | Corno Di Bassetto | 61 |
| 8' | Orchestral Oboe | 61 |
| 8' | Corno D'Amour | 61 |
| 8' | Vox Humana | 61 |
| 8' | Cor Anglais | 61 |
| 8' | Clarinet | 61 |
| Baroque | ||
| 16' | Lieblich Gedeckt | 73 |
| 8' | Gedeckt | 73 |
| 8' | Viola | 73 |
| 8' | Gamba | 73 |
| 8' | Gamba Celeste | 73 |
| 8' | Dolce | 73 |
| 8' | Dolce Celeste | 73 |
| 4' | Flute d'Amour | 73 |
| 2' | Flautino | 61 |
| IV-V | Viole Mixture | 278 |
| 8' | Trumpet | 73 |
| 8' | Oboe | 73 |
| Positiv | ||
| 8' | Cor de Nuit | 61 |
| 4' | Nachthorn | 61 |
| 2 2⁄3' | Nazard | 61 |
| 2' | Blockflote | 61 |
| 1 3⁄5' | Tierce | 61 |
| 1 1⁄3' | Larigot | 61 |
| Reed Chorus🛈 | ||
| 8' | Stentorphone | 61 |
| 4' | Stentorphone | 61 |
| 8' | Tuba Sonora | 61 |
| 8' | First Trumpet | 61 |
| 8' | Second Trumpet | 61 |
| 8' | French Trumpet | 61 |
| 4' | Clarion | 61 |
| Pedal | ||
| 32' | Tibia Profunda | 44 |
| 16' | Violone | 32 |
| 16' | Contra Viole | 32 |
| 8' | Open Flute | 32 |
Taken from inspection of pipework.
Originally Written/Published: 6/4/22
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The castle has always operated as a museum in some form since being built. Before John Hays Hammond, Jr's death, the museum was conceived in select parts of the building both for tax reasons as well as a way to show off the owner's collection and this pipe organ. After his death, the entire building became a museum.
Incomplete timeline of construction:
1929 - Castle completed during the summer. Organ parts from former home combined with new parts at the castle.
1929-1938 - Organ becomes dormant and partially deconstructed.
1939 - Organ balcony added, 3 manual console installed in the balcony.
1939-1941 - Great moved to new chamber, Reed Chorus installed in old Great chamber
June/July 1941 - Aeolian-Skinner provided 3 Mixtures and 8’ Metal Bourdon for Great
1942 - E.M. Skinner Solo added
1944 - Aeolian-Skinner and Aeolian pipework added to gallery forming Baroque division. Console upgraded to 4 manuals with new combination action
Late 1974/Early 1975 - 4-manual console modified and moved to the floor for Virgil Fox
1984-1986 - New 4-manual console built by Kim Bolten under the E.M. Skinner name
In addition, there were a number of additions and swappings of ranks through the years.
The Baroque and majoriy of the Pedal divison (on floor behind console) are from Aeolian Op. 1539 (1925, Gladstone NJ). The Baroque division is specifically the Swell division from 1539.
Positiv division (in the gallery) has pipework provided by G. Donald Harrison, but it is placed on Aeolian chests that use an Aeolian regulator and tremulant probably also fromOp. 1539.
Great main pipework is Welte, Great mixtures are G. Donald Harrison. Great main chests are Welte and Skinner double-primary, mixture chest is a variation of the Skinner double-primary design with the stop action moved to the end of the chest.
There have been 2 consoles for the instrument:
The original console is extant in the castle (stored in pieces) but the keyboards and console top are missing.
The Swell, Choir, Solo, and Reed Chorus divisions are located in the ceiling on the left side of the great hall. The ceiling is made out of an acoustically transparent fabric. The great division is on the right wall. The Positive division is located in the gallery at one end. The Baroque and Pedal divisons are located slightly recessed into the floor under the Positiv (behind the console).
There are two blowers:
Webpage Links: Virgil Fox at Hammond Castle
Related Instrument Entries: Welte-Mignon Corporation [Welte Organ Co.] (Opus 253, 1927)
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