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| Hauptwerk (I)🛈 | ||
| 16' | Bourdon | |
| 8' | Prinzipal | |
| 8' | Viol da Gamba | |
| 8' | Rohrflöte | |
| 4' | Oktave | |
| 4' | Koppelflöte | |
| 2⅔' | Quinte | |
| 2' | Superoktave | |
| IV | Mixtur 1⅓' | |
| 8' | Trompette | |
| Rückpositiv to Hauptwerk |
| Rückpositiv (II)🛈 | ||
| 8' | Gedackt | |
| 8' | Quintadena | |
| 4' | Prinzipal | |
| 4' | Rohrflöte | |
| 2⅔' | Nazard | |
| 2' | Doublette | |
| 1⅗' | Tierce | |
| 1⅓' | Quinte | |
| III | Scharf ⅔' | |
| 8' | Cromorne | |
| Tremolo |
| Pedal🛈 | ||
| 16' | Subbass | |
| 8' | Oktavbass | |
| 4' | Choralbass | |
| III | Rauschpfeife 2' | |
| 16' | Fagott | |
| 8' | Trompete | |
| Rückpositiv to Pedal | ||
| Hauptwerk to Pedal |
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Updated through online information from Hal Gober (April 17, 2025): I voiced the organ together with Martin Pasi (in the employ of the builder, Karl Wilhelm) in its original location.
Updated through online information from Matt Emery.
Updated through on-line information from Martin Hill.
Updated through information adapted from E. M. Skinner/Aeolian-Skinner Opus List, by Sand Lawn and Allen Kinzey (Organ Historical Society, 1997), and included here through the kind permission of Sand Lawn: Replaced E. M. Skinner Opus 639 (1927).
Identified through on-line information from Matt Emery. -- Located in Graham Taylor Hall (the main seminary chapel) at 5757 S. University Ave., second floor. The gallery for the organ was built for this instrument at its construction--i.e. the original chapel has no balcony. This instrument replaced an earlier electro-pneumatic instrument (that I know no details on) [Editor: E.M. Skinner Op 639, 1927]. Located in a chamber in the side wall at the back of the chapel. The chapel dates from 1927 and is English Gothic in architecture, with stone walls and floors and a high arched ceiling which contribute to a very helpful acoustic for the instrument. The instrument currently needs some minor mechanical work which should be forthcoming--re-leathering of one of the 2 bellows and adjustment of its hitch-down couplers. A complete cleaning and tonal regulation / voicing would not be out of order, but is not anticipated in the immediate future. The instrument has flexible winding.
Related Instrument Entries: Karl Wilhelm (Opus 89-A, 2012)
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